top of page

Supported Works  

A Year In: Arts Council

DYCP Funding

2024-2025

Obscura Darkroom, 'We're Here Now', 2024 

​Stephen King, 'Firehawks', exhibited at Open Eye Gallery, 2025​​​​​

Issac Qureshi, 'True Crowns', photographing individuals with Alopecia, 2025

Sian Davey Creative Body Process, scholarship to participate in the workshop in 2025 

Film Production, 'The Vanishing Act' supporting Abdullrhman Hassona and Fallon Westlake 

Supported Awards 

Calum Heywood, for ongoing project 'Where the Mountain Meets the Sea', in collaboration with Orrin St Pierre. Photo published in British Journal of Photography Portrait of Britain Vol 8 

Attended Exhibits 

As part of the funding, I visited exhibited works across Europe to grow my understanding of photo production, networking and exhibiting. Some of these include:

Paris Photo Festival (2024, 2025) meeting photographers and publishers such as Martin Parr and Sam Wright 

Polycopies Photobooks and Talks, Paris 

Book Bound Art Fair, Manchester 

Exhibition on 'Diaspora Birds' by Luo Yang in Berlin in 2025 

Best of British, photobook exhibition at L'INAPERÇU Paris in 2024 ​​

PHOTO-2026-01-23-18-31-21.jpg

Image by Calum Heywood collaboration with Orrin St Pierre 

PHOTO-2026-05-03-14-22-41.jpg

Molly for 'Do You See Me Now', post-funding project 

Blog on DYCP Arts Funding, with advice for applicants

A few months out of university, I decided to apply to DYCP Arts Council Funding. I did not know much of how to apply at the time, only that it was a grant that it could support my progression as an artist. I was aware of Arts Council seeking out specific support for artists working in a collaborative arts, so I put myself to spending the next few months putting together an application. Much of my intent for this funding was to push myself outside of my comfort zone. I had intent to put together much larger scale-projects than I had previously facilitated; however coming out of an undergraduate degree in science, I was left me feeling relatively overwhelmed at my emergence into an industry my imposter syndrome did not find me ready to take the leap into.  The plan, if awarded, which I put at the back of my mind, was to soak in everything I was interested in, and I believed I could learn more from. I was surprised at obtaining funding when I did. Hours of planning led to joy, in turn very quickly circling into panic. To give a working class creative more money than they likely have ever had with a year to spend it is a brilliant way to learn to budget a project, but I found myself scared to spend any of the money when first awarded, and I am sure there will be others with a similar experience. I had one year to push myself. There are achievements I made in the process, and there were many mistakes. As a working-class artist, I believe in funding like this, because this is the time to make mistakes, particularly for those who may not always have the backing to do so otherwise. To try and to learn both from what you achieve but also what you don't do right. There is yet to be a major outcome project from this. Rather the funding was the sowing of seeds, to give me a netting to try to put myself into doors and with the confidence and network I would have had less of, but much has grown from it. The works planned as put towards this exhibition are ongoing, and new ideas and collaborations have also formed as part of it. This includes work on LGBTQ+ experiences, and a project around women within the industry. 

If you would like support for your own application, or if you have been awarded a grant, I would be happy to help out with queries, feel free to email me. 

bottom of page